Monday, April 04, 2011
Wednesday, March 30, 2011
The Two Escobars
Tuesday, March 29, 2011
Polyphasic 2011
Wednesday, March 23, 2011
Monday, March 07, 2011
On Learning Mandarin in Taiwan
Saturday, February 19, 2011
Friday, February 18, 2011
Ancient History
Monday, January 24, 2011
52x52x52x52: Film #5: June 17, 1994
ESPN has come out of nowhere, though, and legitimized the cinema of sports in their new 30-for-30 series, in which 30 directors were commissioned to make one-hour documentaries about sports. The films are exceptional, even when they’re mediocre (I think there’s a Woody Allen joke in there somewhere: “Even my worst orgasm was right on the money!”). These documentaries contain all of the inherent pathos and regret and drama of sport that is normally absent in sports movies. Some standouts that I’ve seen so far: Billy Corben’s The U (about the thuggish Miami Hurricanes football team of the late 80s), Without Bias (about Len Bias), Barry Levinson’s The Band That Wouldn’t Die (about the Baltimore Colt’s marching band), The Guru of Go (Paul Westhead and Hank Gathers), and Muhammad and Larry (the Maysles Brothers take on Muhammad Ali getting crushed by Larry Holmes).
The finest so far, however, is June 17, 1994, by The Kid Stays In the Picture director Brett Morgan. June 17 was the day that OJ Simpson took off in his white Bronco, but there were other momentous things going down as well: the ticker tape parade for the NY Rangers first Stanley Cup in 45 years, game 5 of the NBA finals, the beginning of the World Cup in Chicago, Arnold Palmer’s final round of golf ever, Ken Griffey Jr.’s 30th home run (the fastest to 30 ever) in what was to be a strike-shortened season).
June 17, 1994 cuts between all of these events as the day unfolds and the OJ Simpson drama gets more and more surreal. There are no interviews and no narration – it’s an editing exercise in some way, just a bunch of footage and an editor and a director putting it together. They have access to communication between the police and OJ that wasn’t admissible in court, and they show outtakes and off-air communication as the media tries to cope with this (Tom Brokow telling his producer that there is no way to elegantly segue from Game 5 of the finals to OJ’s narrative without it sounding “totally callous.”) It is a whole new kind of media circus, that prefigures TMZ and the Internet and Twitter.
The result is epic storytelling. “A modern tragedy and drama of Shakespearean proportions,” Brokaw says. It is a good feeling to see a movie this great! And even though the film isn't really about sports (even though it's ostensibly ONLY about sports), that's the right call because sports contain the seed of something unique in culture -- something combining athletics and battle and celebrity -- where the stakes of winning and losing are amplified and the biggest winners are all eventually cut down to size. The tragedy of losing escapes no champion if one waits long enough.
Monday, January 17, 2011
Photowalk #1: Skirball

Thursday, January 13, 2011
Heal Thyself
Tuesday, January 11, 2011
52x52x52x52
Saturday, November 20, 2010
You Should Feel Lucky to Fall Victim to Somali Pirates

Sunday, November 07, 2010
Saturday, November 06, 2010
Venice and the Moneyed Boho Elite
Thursday, November 04, 2010
Frankie and the Bride

Wednesday, November 03, 2010
The Bloggo is Blotto
Thursday, August 12, 2010
Don't Hate on The Facebook
Tuesday, March 16, 2010
Tuesday, December 01, 2009
It Wouldn't Hurt Us To Have a Nick, So Now We Do
Friday, November 06, 2009
It's Time For Your Close-up, Ron
So a month or so ago I’m working on a Toni Braxton video, of all things, and I’m sitting there all numb and demoralized, and I hear the assistant director calling for Ron to come to set, Ron, who will play the shirtless ripped black Romeo to Toni Braxton’s R&B middle-aged goodness.
So the love interest comes in, confused, and he is large, larger than me, perhaps, and very very awkward, and I see that Ron is, in fact, Mr. Ron Artest, former Indiana Pacer, former Sacramento King, former Houston Rocket, and the perpetrator of the largest brawl in NBA history, an incident from a few years back when he vaulted into the stands and beat the shit out of some Pistons fans and then was suspended for a year.
Ron.
This shoot took place before the NBA season had started and I didn’t know he had been acquired by the Lakers so having him just appear as the SENSITIVE LOVE INTEREST in a Toni Braxton video was just too amazing to comprehend. It is still amazing to comprehend, even knowing that he lives in LA now. The caressable pecs, the unhinged smile, the curious angularity to his face, like some flesh-and-blood gemstone.
Ron is crazy.
I was going to post links to the infamous riot, but I came across something even more incredible and offensive than that bit of thuggery. It seems he has a new rap record out and the single is called “Afghan Girl.” The video has to be seen to be believed. It’s documentary footage of abused Afghan women intercut with footage of Artest leaning on trees and rapping about how he would take care of these women and caress their hair, faces, etc.
Somebody please explain this video to me:
Oh, and here’s some great stuff of Artest battling with the Jazz from two seasons ago. Highly entertaining!
NO LAYUPS! NO LAYUPS!










































